By John A. Barry And Bill Carmel
E-mail John A. Barry And Bill Carmel
About this blog: John Barry is the creator of trAction Painting, a process/performance genre in which he applies paint to large surfaces with bicycles, roller skates, and other wheeled conveyances. With Bill Carmel and other associates, he has bro...
(More)About this blog: John Barry is the creator of trAction Painting, a process/performance genre in which he applies paint to large surfaces with bicycles, roller skates, and other wheeled conveyances. With Bill Carmel and other associates, he has brought trAction Painting events to local schools and summer camps. He also creates visual puns. His works are included in several private collections. John has authored/coauthored a dozen books, including Technobabble and Sunburst: The Ascent of Sun Microsystems. John can be contacted at
[email protected] or 925-918-7882.
Bill Carmel has 35 years' experience as a professional artist. His fine art paintings, sculptures, and designs are included in private, corporate, and public art collections in the United States, Europe, and Australia. After teaching at Humboldt State University and Southern Illinois University, he returned to the Bay Area, where he remains active in the arts by serving as a co-curator for the Lamorinda Arts Council's Orinda Gallery and by exhibiting throughout the Bay Area. Bill reviews exhibits at SFMOMA, the De Young and Palace of Fine Arts museums, and other Bay Area exhibition venues. Bill can be contacted at
[email protected]
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Roz Rogoff recently gave me and my colleague Bill Carmel a nice writeup in her blog:
http://danvillesanramon.com/blogs/p/2015/08/04/tour-of-the-arts. In her piece, she mentioned my next trAction Painting event. This one will be on the other end of the age spectrum. In the last year, Bill and I, with several associates, have guided four painting events?all oriented toward education/creativity and all involving five-year-olds to teenagers. This time around, all the participants will be older adults, so the activity level is likely to be more subdued. I'll even have a walker for those who want to shy away from bikes, scooters, and skates.
Bill and I are aiming our efforts primarily at children as we refine and develop programs for them, but we believe that anyone can benefit from or enjoy exposure to trAction Painting. The adults in the upcoming event will be able to express themselves on a 5 x 10-foot canvas. I haven't yet selected the palette, but we won't start on a blank white sheet. Unless I'm going for a certain effect, I've largely abandoned white gesso as the substrate. For example, at the summer camp we just completed and the elementary school event before that, we tinted the gesso yellow. At the camp, we wanted primary colors as a base for a round of pastels on top of geometric figures. It was necessary to lay down only red and blue to get the tricolor base.
The primary?so to speak?reason for using tinted gesso is that some trAction paintings let the base show through. If I want to accentuate bike wheel patterns, for example, I don't want every square inch of canvas covered with tracks that eventually become less differentiated. At the same time, I generally don't want white to be the contrasting color element. It's boring.
The base was a kind of brick red in the deck painting Roz mentioned. The attached photo shows what it looks like after 14 Razor layers of paint, two of which are the house and trim colors. I was planning to stage the adult painting event on the deck, but the boards are old and some of the gaps between are rather yawning. Concrete garage floor will be much more hospitable to trAction neophytes. I still haven't decided on the primer color for this event, which happens midmonth. I'll document the festivities and be back with a report later.
